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Category :
Drama, Independence and Integration on the Development Trend of Musical Theatre in Combination with Chinese Opera Elements
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2020/Aug/16
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Hamlet acting decisively: “Modernization” and the Character Description of Hamlet in Hori Seiki’s Hamuretto Gendai ni Ikinaba(1930)
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2020/Aug/16
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The Transformation of the Concept of Time in the English Renaissance and its Impact on the Formation of Imagined Nation: a Reconsideration of Shakespeare’s As You Like It
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2020/Aug/16
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A Possibility Study of “Unvisible Theatre”: On the case of Invisible exhibition, Dialogue in the Dark
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2020/Aug/16
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The Model of Energy Cone: Method of Physical Actions in Jacques Lecoq’s Neutral Mask
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2020/Aug/16
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Telling a Story that cannot be Told: Talking through the Dead in Breasts of Black Swallowtail Butterfly (1970)
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2020/Aug/16
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The Reception of Glass Menagerie on the Broadway in the Cross Cultural Background
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2020/Aug/16
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The Recetion of Tang in Japan 1n 1968: The Premieres by the Bungakuza Theatre Company and the Haiyuza Theatre Company
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2020/Aug/16
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The Reception of Glass Menagerie on the Broadway in the Cross Cultural Background
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2020/Aug/16
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The Male Gaze in Contemporary Korean Plays: Focussing on Plays Dealing with the Life of Contemporary Citizens
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2020/Aug/16
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On the Stage Characters of Mo Yan’s Xiqu Literary Plays
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2020/Aug/16
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Two Interpretations of Dostoevsky’s Crime and Punishment in Theatre Cocoon/Bunkamura: The Adaptation of the Text in the Universal and national aspects
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2020/Aug/16
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