| Saturday 5th November 2022 | |
| 9:30-9:50 am | Conference Registration |
| 9:35-9:45 am | Welcome Speech by Professor Ya-Hsiang Hsu (Chair of the Department of Theatre Arts) |
| 9:45-10:00 am | Introduction of the Members of Four Schools |
| 10:00-11:00 am | Panel 1: Localization of Western Classics Host: Professor Nagata Yasushi (Osaka University) |
| Yue Hong. The identity Crisis of "Intercultural Peking Opera"— ‘Take "Love and death in the bell tower", "Les Miserables" and " Lear is Here" as examples.’ (Shanghai) | |
| Bokyoung Park. ‘Women’s Independence and Liberty in Contemporary Adaptations of Jane Eyre.’ (Seoul) | |
| 11:00-11:10 am | Tea Break |
| 11:10 am- 12:10 pm | Panel 2: Shakespeare Reconsidered Host: Professor I-Fan Ho (Taipei NationaUniversity of the Arts) |
| Haennim Pyo. ‘Juliet and Juliet, Two Gentlemen of Verona, Shakespeare, the Creative Company LAS, Yohangza Theatre Company.’ (Seoul) | |
| Kastylianchanka, Iryna. ‘Mask as a Tool for De-Contextualization in Contemporary Staging of Shakespeare.’ (Osaka) | |
| 12:10-13:30 pm | Lunch Break |
| 13:30-14:30 pm | Panel 3: Old Ways in New Eyes Host: Professor Jiang Ling (Shanghai Theatre Academy) |
| Yujin Kim. ‘A Study of Female Heroes in Korean Theater: Reinterpreting Traditional Heroes from the Feminist Perspective.’ (Seoul) | |
| Chen Hung Chun. ‘Calling Self’s Being by the Language of Others: An Analysis of the Theatre Rehearsal Method of Drive My Car from Heidegger's Conception of Language and Being.’(Taipei) | |
| 14:30-14:40 pm | Tea Break |
| 14:40-15:40 pm | Panel 4: Introspection in Memory and Body Host: Professor Woo Sujin (Korea National University of Arts) |
| Hiroshi Takijiri. ‘Another Memory Play: Concerning Neil Simon’s Brighton Beach Memoirs.’ (Osaka) | |
| Wu Pangchune. ‘The Consciousness Transformation of the Decroux Mime Gymnastics: A research on Mime Gymnastics’ Actions.’ (Taipei) | |
| Sunday 6th November 2022 | |
| 9:50-10:00 am | Conference Registration |
| 10:00-11:00 am | Panel 5: Viva Technology and Its Elegy Host: Professor Kim Mi-hee (Korea National University of Arts) |
| Xu Ke. ‘Separation and Connection: "Theatre in the Clouds" in the Uncertain Times.’ (Shanghai) | |
| Tseng Guan Ling. ‘On Consumer Capitalism: A Spatial Reading of Central of Hong Kong in Plays Before and After 1997.’ (Taipei) | |
| 11:00-11:10 am | Tea Break |
| 11:10 am- 12:10 pm | Panel 6: The Dissemination and Evolution of Chinese Operas Host: Shan-Lu Yu (Taipei National University of the Arts) |
| OuYang Mengxia. ‘On the Overseas Performance of Mei Lanfang Kunqu Opera Repertoire.’ (Shanghai) | |
| Jia Zhanwei.‘The Opera Examination and the ""New Opera"" of the Republic of China.’ (Shanghai) | |
| 12:10-13:30 pm | Lunch Break |
| 13:30-14:30 pm | Panel 7: Gender Representations Host: Professor Zhang Weipin (Shanghai Theatre Academy) |
| Bona Choi. ‘Patriarchal Gender Presentations of Korean Musical Theaters.’ (Seoul) | |
| Dai Shulun. ‘Female Images in Woman’s Traditional Operas in Ming and Qing Dynasties: Taking Wang Yun's Quan Fu Ji as an Example.’ (Taipei) | |
| 14:30-14:50 pm | Discussions for Distinguished Papers By Representative Professors from Four Schools |
| 14:50-15:10 pm | Announcement for the Distinguished Papers & Farewell |