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A Study on the Represenatation of Disabilities in Realistic Actig: Focused on Park Geun-hyung’s Early Works
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2020/Aug/16
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Milan Kundera’s Conceptions of Humor and Kitsch in Durenmatt’s Romulus the Great
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2020/Aug/16
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The Transition of nude-Noh by Takechi Tetsuji
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2020/Aug/16
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A Brief Talk on the New Play of Beijing Opera “Lovelorn on the Bell Tower”
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2020/Aug/16
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The Modern Consciousness of Sichuan Opera’s “The Desire of the Sea”
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2020/Aug/16
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Drama, Independence and Integration on the Development Trend of Musical Theatre in Combination with Chinese Opera Elements
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2020/Aug/16
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Takarazuka Revue’s Performances that adapted from Manga: The Topic of “The Rose of Versailles” During the Showa Era
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2020/Aug/16
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From Reader to Audience: Re-investigating the Position of Chinese Early Spoken Drama (1907-1919)
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2020/Aug/16
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The Commercialization Trend of Chinese Theatre in the New Century from the Perspective of Playwrights
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2020/Aug/15
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Modernization Traditional Culture in Theatre/Performance in Korea: Dasiraegi from the ceremony to the contemporary Theatre
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2020/Aug/14
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From Visual Impressionism to Theatrical Expressionist: From Manet’s Still Life to Kaiser’s From Morning to Midnight
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2020/Jul/07
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The Convergence and Application of Traditional Fantasy Story Resources in Chinese Drama
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2020/Jun/26
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