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iATSc

iATS conference 2020

The 8th international Asian Theatre Studies Online conference

theme“Theatre at a Critical Point”
date2020 / nov / 7th – 8th
venueTheatre Studies Section, Graduate School of Letters, Osaka University. (Online)
7th November
13:30 Registration Shanghai and Taipei 12:30
14:00−15:30 Opening & Session 1 Shanghai and Taipei 13:00−14:30
15:30−15:45 Coffee Break Shanghai and Taipei 14:30−14:45
15:45−17:15 Session 2 Shanghai and Taipei 14:45−16:15
17:15−17:30 Coffee Break Shanghai and Taipei 14:30−14:45
17:30−19:00 Session 3 Shanghai and Taipei 16:30−18:00
8th November
11:00-12:30 Session 4 Shanghai and Taipei 10:00−11:30
12:30-13:30 Lunch Shanghai and Taipei 11:30−12:30
13:30-15:00 Session 5 Shanghai and Taipei 12:30−14:00
15:00-15:15 Coffee Break Shanghai and Taipei 14:00−14:15
15:15-16:45 Session 6 Shanghai and Taipei 14:15−15:45
17:00 Closing & Farewell Shanghai and Taipei 16:00

Contact:
Yasushi Nagata, Professor of Theatre Studies,
Theatre Studies Section, Graduate School of Letters, Osaka University
MachikaneYamaCho 1-5, Toyonaka, Osaka, Japan, 560-8532

Program

- Registration7th(sat)/Nov
13:3012:30

Download the papers

Opening & Session 17th(sat)/Nov
14:00−15:3013:00−14:30
- Coffee Break (15:30−15:45 / Shanghai and Taipei 14:30−14:45)

  • Opening Address

    Yasushi Nagata, Kim Mihee, Zhang Weipin, I-Fan Ho, Kaoru Nakao, Lee Seong Gon, Woo Sujin, Shan-Lu Yu /

  • A new model of Theatre and Internet cooperation during the COVID-19 epidemic

    Xin Zhang / College of Chinese Opera, Shanghai Theatre Academy

  • A Review on Angel: Reversed Title Approaching from Immersive Theatre Dramaturgy

    Lee Ji-Hyun / School of Drama, Korea National University of Arts
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Session 27th(sat)/Nov
15:45−17:1514:45−16:15
- Coffee Break (17:15−17:30 / Shanghai and Taipei 16:15−16:30)

  • Flowers Shed Tears: Ling Yu’s “here and now” in Shanghai during the Isolated-Island period

    Cheng, Hsiao-Yuan / School of Theatre Arts, Taipei National University of the Arts

  • Takarazuka Revue’s Performances Set in China: Issei Hisamatsu’s Kageki Journey to the West

    Feng Yuan / Theatre Studies Section, Graduate School of Letters, Osaka University

  • A Study of the Process and Strategies of Making a Creative Musical: Focusing on Dae-hee

    Park Han-cheol / School of Drama, Korea National University of Arts
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Session 37th(sat)/Nov
17:30−19:0016:30−18:00

  • An Ideology of Body Control and Liberation: Japanese Revue Censorship

    KAKINUMA Ayako / Theatre Studies Section, Graduate School of Letters, Osaka University

  • The Indiscernible Body： Interrogating the “Liminal-State of Actor’s Body” from Suzuki Tadashi’s Perspectives of Performance

    Chien, Chao-Lun / School of Theatre Arts, Taipei National University of the Arts

  • Analysis of living circumstances“the revolutionary model opera” from 1978 to 2020 ——take《The Red Lantern》as an example

    Yang Shiyao / College of Chinese Opera, Shanghai Theatre Academy
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Session 48th(sun)/Nov
11:00-12:3010:00−11:30
- Lunch (12:30-13:30 / Shanghai and Taipei 11:30−12:30)

  • The Activities of The First Period of Geugyesuryeonguhoe and Its Limitations: Focusing on the Influence of the Tsukiji Little Theater

    Yang Se-hoon / School of Drama, Korea National University of Arts

  • Journey to the Internal World: Nation Rescue, Ltd. and Mother of Momotarou

    HUANG Tzu-Chieh / Theatre Studies Section, Graduate School of Letters, Osaka University

  • The Split and Variation of Traditional Xiqu Performance Forms in the Context of Stanislavsky System

    Zhou Hao / College of Chinese Opera, Shanghai Theatre Academy
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Session 58th(sun)/Nov
13:30-15:0012:30−14:00
- Coffee Break (15:00-15:15 / Shanghai and Taipei 14:00−14:15)

  • The Critical Point of Kamigata Comedy: How It Became a New Comedy in the TV Era

    Hiroshi Takijiri / Theatre Studies Section, Graduate School of Letters, Osaka University

  • A Study on Performance Group Tuida: Focusing on The Creative Process and Performance

    Park Sung-won / School of Drama, Korea National University of Arts

  • A Brief Analysis of the Playwriting Purpose of Chinese Local Dramas Adapted to Foreign Dramas Since Reform and Opening Up

    Feng Qiuyue / College of Chinese Opera, Shanghai Theatre Academy
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Session 68th(sun)/Nov
15:15-16:4514:15−15:45
- Closing & Farewell (17:00 / Shanghai and Taipei 16:00)

  • Re-appropriating and Varying Hegemony: The Ambivalent Identity of Female Gukgeuk

    Kim Hyun-ji / School of Drama, Korea National University of Arts

  • A Comedy With Implicit Gender Equality: re-examining John Fletcher’s The Tamer Tamed

    Chang, Wei-Wen / School of Theatre Arts, Taipei National University of the Arts

  • Critical Period：Sacred Play on December 29, Chinese lunar calendar, at Kumbum Monastery in Qinghai

    Chang Si-Yuan / College of Chinese Opera, Shanghai Theatre Academy
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