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iATSc

conference 2021

9th international Asian Theatre Studies conference.

theme“Theatricality and Audience in Contemporary Theatre”
date2021 / nov / 6th(sat) : 14:00 – 19:30 (13:00 – 18:30, Shanghai & Taipei)
2021 / nov / 7th(sun) : 10:30 – 17:15 (9:30 – 16:15, Shanghai & Taipei)
venueSchool of Drama, Korea National University of Arts (Korea) (Online)

Download Time schedule

Program

1st Session
11/6(sat)14:00~16:00 13:00~15:00

  • Opening Address

  • Game Theatre as Immersive Theatre: The Characteristics of the Interactive Narrative in NOLGONG’s Being Faust

    Jihyun Lee / School of Drama, Korea National University of Arts

  • “Audience” in the Words of Juro Kara –Changes in Kara’s Theory of Audience in the Context of Changing Theatre Space

    Shizuka ARAI / Theatre Studies Section, Graduate School of Letters, Osaka University

  • Theatricality and Audience of Chinese Traditional Drama under the Perspective of “Internet Plus”

    Yang Shiyao / College of Chinese Opera, Shanghai Theatre Academy

2nd Session
11/6(sat)16:15~17:45 15:15~16:45

  • Looking at Japan Through Covered Eyes: Changes and Issues in the Stage Adaption of Felix Régamey’s Closed Eyes

    Junko KASHIWAGI / Theatre Studies Section, Graduate School of Letters, Osaka University

  • A Study on the Adaptation of a Novel from the Same Culture into A Play: in the Case of The Night on the Galaxy Train

    Soojin Jung / School of Drama, Korea National University of Arts

  • Takarazuka Revue’s Performances That Were Set in China in Taisho Era: The Topic of Issei Hisamatsu’s Kageki “Kantan”

    Feng Yuan / Theatre Studies Section, Graduate School of Letters, Osaka University

3rd Session
11/6(sat)18:00~19:30 17:00~18:30

  • The Transformation of Determination and Negation -Re-exploring the Rebellion and Limitation of Chinese Avant-garde Drama

    A Qi / School of Theatre Arts, Taipei National University of the Arts

  • A New Way of Viewing Contemporary Chinese Opera -A Case Study of the Comments on Cao Cao and Yang Xiu and The Unicorn Purse in Bilibili

    Yue Hong / College of Chinese Opera, Shanghai Theatre Academy

  • The Re-politicization of Chinese Contemporary Theatre after Reform and Opening Up: Taking Epic Theater Che Guevara as An Example

    HU, Jian-Wei / School of Theatre Arts, Taipei National University of the Arts

Coffee Break
11/6(sat)16:00~16:15 15:00~15:15

  • Coffee Break

Coffee Break
11/6(sat)17:45~18:00 16:45~17:00

  • Coffee Break

Download the papers

1st Session
11/7(sun)10:30~11:30 09:30~10:30

  • The Female Characters’ Agones as a Speech Act in Sophocles’ Tragedies -Focusing on Antigone and Electra

    Haennim Pyo / School of Drama, Korea National University of Arts

  • Two Women’s Silent Calls in The Homecoming and Disgrace

    Hung-Chun / School of Theatre Arts, Taipei National University of the Arts

2nd Session
11/7(sun)11:45~12:45 10:45~11:45

  • The Characteristics and Limitations of Neil Simon’s Early Comedy The Odd Couple through Its Attitude Toward Marriage and Divorce

    Hiroshi Takijiri / Theatre Studies Section, Graduate School of Letters, Osaka University

  • Exploring the Historical Consciousness in the Modern Drama from Walter Benjamin’s Concept of History –Reconsidering Lion Feuchtwanger’s Warren Hastings

    An-Ting Liu / School of Theatre Arts, Taipei National University of the Arts

3rd Session
11/7(sun)13:45~15:15 12:45~14:15

  • National Imagination and Its Fissure: Reexamining the Chinese National Drama Movement in the 1920s

    Wei-TIng Tang / School of Theatre Arts, Taipei National University of the Arts

  • The Phenomenon, Theory and Development Path of the Theatrical Transformation of XiQu

    Ouyang Mengxia / College of Chinese Opera, Shanghai Theatre Academy

  • Theatre of Sources: The Ancient Corporality MPA in Lanlingwang Ruzhenqu

    Yuling Li / School of Theatre Arts, Taipei National University of the Arts

4th Session
11/7(sun)15:30~17:00 14:30~16:00

  • From YingXi to XiYing: On the Evolution of the Artistic Creation View of Film Form of Xiqu in the Past Century

    Cheng JiaoJiao / College of Chinese Opera, Shanghai Theatre Academy

  • A Study on the Creative Adaption of Xiqu on Contemporary Korean Stage: Focusing on the Plays “The Orphan of Zhao: The Seed of Revenge” and “Camel Xiangzi”

    Hanchul Park / School of Drama, Korea National University of Arts

  • The Innovativeness of the Modern Communication of Traditional Chinese Opera -Take “White Snake” as an Example

    Xu Ke / College of Chinese Opera, Shanghai Theatre Academy

Closing Session & Award Announcement
11/7(sun)17:00~17:15 16:00~16:15

  • Closing Session & Award Announcement

Coffee Break
11/7(sun)15:15~15:30 14:15~14:30

  • Coffee Break

Coffee Break
11/7(sun)11:30~11:45 10:30~10:45

  • Coffee Break

Lunch
11/7(sun)12:45~13:45 11:45~12:45

  • Lunch

Download the papers