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Category :
The Activities of The First Period of Geugyesuryeonguhoe and Its Limitations: Focusing on the Influence of the Tsukiji Little Theater
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2020/Oct/29
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Opening Address
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2020/Oct/28
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Registration
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2020/Oct/26
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Re-appropriating and Varying Hegemony: The Ambivalent Identity of Female Gukgeuk
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2020/Oct/25
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The Critical Point of Kamigata Comedy: How It Became a New Comedy in the TV Era
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2020/Oct/25
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An Ideology of Body Control and Liberation: Japanese Revue Censorship
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2020/Oct/25
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Flowers Shed Tears: Ling Yu’s “here and now” in Shanghai during the Isolated-Island period
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2020/Oct/25
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A Comedy With Implicit Gender Equality: re-examining John Fletcher’s The Tamer Tamed
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2020/Oct/24
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A Study on Performance Group Tuida: Focusing on The Creative Process and Performance
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2020/Oct/24
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Journey to the Internal World: Nation Rescue, Ltd. and Mother of Momotarou
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2020/Oct/24
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The Indiscernible Body: Interrogating the “Liminal-State of Actor’s Body” from Suzuki Tadashi’s Perspectives of Performance
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2020/Oct/24
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Takarazuka Revue’s Performances Set in China: Issei Hisamatsu’s Kageki Journey to the West
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2020/Oct/24
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