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Category :
The Female Characters’ Agones as a Speech Act in Sophocles’ Tragedies -Focusing on Antigone and Electra
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2021/Oct/25
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Two Women’s Silent Calls in The Homecoming and Disgrace
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2021/Oct/25
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Coffee Break
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2021/Oct/25
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The Transformation of Determination and Negation -Re-exploring the Rebellion and Limitation of Chinese Avant-garde Drama
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2021/Oct/25
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A New Way of Viewing Contemporary Chinese Opera -A Case Study of the Comments on Cao Cao and Yang Xiu and The Unicorn Purse in Bilibili
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2021/Oct/25
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The Re-politicization of Chinese Contemporary Theatre after Reform and Opening Up: Taking Epic Theater Che Guevara as An Example
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2021/Oct/25
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Coffee Break
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2021/Oct/25
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Looking at Japan Through Covered Eyes: Changes and Issues in the Stage Adaption of Felix Régamey’s Closed Eyes
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2021/Oct/25
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A Study on the Adaptation of a Novel from the Same Culture into A Play: in the Case of The Night on the Galaxy Train
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2021/Oct/25
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Takarazuka Revue’s Performances That Were Set in China in Taisho Era: The Topic of Issei Hisamatsu’s Kageki “Kantan”
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2021/Oct/25
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Opening Address
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2021/Oct/25
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Game Theatre as Immersive Theatre: The Characteristics of the Interactive Narrative in NOLGONG’s Being Faust
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2021/Oct/25
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